Oooh, melodrama. Murder, mafia, mourning, mayhem, mysticism... it all worked for me except the music for the melodrama. The lyrics didn't scan cleanly enough for me to 'hear'
an accompaniment to the story (see V for Vendetta for perfect execution, of course).
The drawing is extremely realistic, more than in what else I've read of the series. There's a "Gibson girl" drawing hanging in one of the rooms Moore draws. The frames that reminded me most of Gibson's style were of a male detective's naked back, though (p. 137). Maybe that's just me, or maybe there's more intervening, mm, cultural tradition between Gibson's Modern Girl and Moore's cheesecake sketches. The cover to #8 really makes me think of Maxfield Parrish's "Girl on Rock" specialty, too.
ISBN: 1-892597-06-3
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